A light cream, various yellow-greens, Yellow-Ochre, and a few streaks of Burnt Sienna are all used to create horizontally-aligned shapes.Ī few distant trees are added and details are omitted. Shapes of color are added in the distant middle ground. These colors are lightly blended with a finger, leaving a harder edge at the top. A dark yellow-green is applied initially, followed by Burnt Umber and a light application of black. A finger is used to lightly blend the colors applied for the clouds.Ī distant tree line is created, overlapping the background. A very light blue is used to create the shapes for the clouds and to develop the transition of value from light to dark. We'll develop the background first, working a darker blue over an application of lighter blue. Photo Reference (Photo by Anna Roberston) The heavy texture allows for multiple applications of color without disturbing the tooth, which is important for consistent acceptance of the material. For paintings that require heavy layering, it is suggested to work on the side of the paper that has the heavier tooth (texture). This paper features a heavily textured side and a smoother side. Essentially, this means that we'll start at the top of the picture plane and work our way down.įor this demonstration, we'll work on toned pastel paper ( Canson Mi-Teintes). The middle ground is developed next and then finally, the foreground. We'll start with the background, developing it completely before moving on the middle ground. We'll take a patient approach to layering colors to develop the painting. Landscape Painting with Pastels - Step by Step NuPastel by Prismacolor (Used in this demo).Rembrandt Soft Pastels (Used in this demo).Professional Sets for High Quality Results: Recommended Introductory Sets for New Pastelists: (Some of the following links are affiliate links which means we earn a small commission if you purchase at no additional cost to you.) The variety of color is also greater with artist-grade pastels and the pigments are more fade-resistant. The pigments are stronger and the pastels are less "dusty" than student-grade pastels. While introductory sets are inexpensive, intermediate and advanced artists should find the professional quality pastels to be quite a "step up". Introductory sets are quite affordable and can be used with success by beginner and intermediate artists alike. Pastels, like other forms of art media, are available in various "levels" of quality. This one is a scene off of the Appalachian Trail in the state of Virginia. In this lesson, we take a look at recording a naturally aesthetic landscape with pastels. Implied details manifest through the eyes of our viewers, as values, colors, and textures are recorded with broad applications and streaks of deliberate marks. The inherent "looseness" of pastels make them a medium perfect for recording scenes such as these.
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